City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring Perfection and Correctness to an imperfect world. As their legions scour the world of superstition with the bright flame of reason, so they deliver a mountain of ragged, holed and scorched flesh to the field hospital tents just behind the front line.

Which is where Yasnic, one-time priest, healer and rebel, finds himself. Reprieved from the gallows and sent to war clutching a box of orphan Gods, he has been sequestered to a particularity unorthodox medical unit.

Led by 'the Butcher', an ogre of a man who's a dab hand with a bone-saw and an alchemical tincture, the unit's motley crew of conscripts, healers and orderlies are no strangers to the horrors of war. Theirs is an unspeakable trade: elbow-deep in gore they have a first-hand view of the suffering caused by flesh-rending monsters, arcane magical weaponry and embittered enemy soldiers.

Entrusted – for now – with saving lives deemed otherwise un-saveable, the field hospital's crew face a precarious existence. Their work with unapproved magic, necromancy, demonology and Yasnic's thoroughly illicit Gods could lead to the unit being disbanded, arrested or worse.

Beset by enemies within and without, the last thing anyone needs is a miracle…

Arthur C. Clarke winner Adrian Tchaikovsky's triumphant return to fantasy with a darkly inventive portrait of a city under occupation and on the verge of revolution.

There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration?

Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood – that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

Ilmar, some say, is the worst place in the world and the gateway to a thousand worse places.

Ilmar, City of Long Shadows.

City of Bad Decisions.

City of Last Chances.

From Adrian Tchaikovsky, author of Children of Time and winner of the Arthur C. Clarke Award, Lords of Uncreation is the final high-octane instalment in the Final Architecture space opera trilogy.

He's found a way to end their war, but will humanity survive to see it?

Idris Telemmier has uncovered a secret that changes everything – the Architects’ greatest weakness. A shadowy Cartel scrambles to turn his discovery into a weapon against these alien destroyers of worlds. But between them and victory stands self-interest. The galaxy’s great powers would rather pursue their own agendas than stand together against this shared terror.

Human and inhuman interests wrestle to control Idris’ discovery, as the galaxy erupts into a mutually destructive and self-defeating war. The other great obstacle to striking against their alien threat is Idris himself. He knows that the Architects, despite their power, are merely tools of a higher intelligence.

Deep within unspace, where time moves differently, and reality isn’t quite what it seems, their masters are the true threat. Masters who are just becoming aware of humanity’s daring – and taking steps to exterminate this annoyance forever.

Classic film version of the vampire tale, based on Hamilton Deane's theatrical adaptation of Bram Stoker's novel. Estate agent Renfield (Dwight Frye) travels to Transylvania to arrange the sale of an English mansion to nobleman Count Dracula (Bela Lugosi). When Renfield discovers that his host is a 500-year-old vampire, he is bitten and himself enslaved. After arriving in London, Dracula attempts to get his teeth into Mina Seward (Helen Chandler), an innocent maiden betrothed to Jonathan Harker (David Manners). Vampire expert Professor Van Helsing (Edward van Sloan) attempts to put a stop to the bloodsucking.

City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring Perfection and Correctness to an imperfect world. As their legions scour the world of superstition with the bright flame of reason, so they deliver a mountain of ragged, holed and scorched flesh to the field hospital tents just behind the front line.

Which is where Yasnic, one-time priest, healer and rebel, finds himself. Reprieved from the gallows and sent to war clutching a box of orphan Gods, he has been sequestered to a particularity unorthodox medical unit.

Led by 'the Butcher', an ogre of a man who's a dab hand with a bone-saw and an alchemical tincture, the unit's motley crew of conscripts, healers and orderlies are no strangers to the horrors of war. Theirs is an unspeakable trade: elbow-deep in gore they have a first-hand view of the suffering caused by flesh-rending monsters, arcane magical weaponry and embittered enemy soldiers.

Entrusted – for now – with saving lives deemed otherwise un-saveable, the field hospital's crew face a precarious existence. Their work with unapproved magic, necromancy, demonology and Yasnic's thoroughly illicit Gods could lead to the unit being disbanded, arrested or worse.

Beset by enemies within and without, the last thing anyone needs is a miracle…

From the author of the thrilling science-fiction epic Children of Time, winner of the prestigious Arthur C. Clarke Award. Shards of Earth is the first high-octane, far-future space adventure in Adrian Tchaikovsky's Final Architecture trilogy.

The war is over. Its heroes forgotten. Until one chance discovery . . .

Idris has neither aged nor slept since they remade his mind in the war. And one of humanity’s heroes now scrapes by on a freelance salvage vessel, to avoid the attention of greater powers.

Eighty years ago, Earth was destroyed by an alien enemy. Many escaped, but millions more died. So mankind created enhanced humans ­such as Idris - who could communicate mind-to-mind with our aggressors. Then these ‘Architects’ simply disappeared and Idris and his kind became obsolete.

Now, Idris and his crew have something strange, abandoned in space. It’s clearly the work of the Architects – but are they really returning? And if so, why? Hunted by gangsters, cults and governments, Idris and his crew race across the galaxy as they search for answers. For they now possess something of incalculable value, and many would kill to obtain it.

The Future Is Oppression. Scions, sonko, landlords: whatever you call them, they're the super rich, the princes of capitalism, living off the labour - and the deaths - of the swarming masses and all too happy to see the world burn to preserve their luxurious lives. In three critically-acclaimed novellas, the "British master of science fiction" (Tor.com) takes you down into the mud and horror of a future battlefield, into the dust and burning heat of a scorched equator, into the grinding poverty of a newly-feudal village, with the folk who give their lives every day in the service of undeserving masters... and sows the seed of revolution. Collected for the first time, Terrible Worlds: Revolutions gives you three glimpses of hope for a better future.

WINNER OF THE 2022 BRITISH SCIENCE FICTION ASSOCIATION AWARD FOR BEST NOVEL 'Endlessly creative... so much invention peeking around every corner' Patrick Ness Arthur C. Clarke winner and Sunday Times bestseller Adrian Tchaikovsky's triumphant return to fantasy with a darkly inventive portrait of a city under occupation and on the verge of revolution. There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood – that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores. Ilmar, some say, is the worst place in the world and the gateway to a thousand worse places. Ilmar, City of Long Shadows. City of Bad Decisions. City of Last Chances. 'Ilmar is vividly alive with ideas, conflicts, and a sense of its own history – a truly breathtaking fantasy city, down every street a compelling story.' David Towsey 'A master at the height of his powers. This is epic symphonic fantasy, weaving a breakneck plot through a sumptuously dangerous world.' Ian Green 'A wonderful twisty stew of a book with a cast of fascinating characters, set against the brilliantly realized city of Ilmar.' Django Wexler 'A triumph of a book: wildly imaginative, immediately immersive and hypnotically compelling.' Sharon Emmerichs

From the author of the thrilling science-fiction epic Children of Time, which won the prestigious Arthur C. Clarke Award. Eyes of the Void is the second high-octane instalment in Adrian Tchaikovsky's Final Architecture space opera trilogy.

What waits in the shadows as we fight our greatest foe?

After one great battle, the Architects disappeared. Yet humanity’s fragile peace is brief. For, forty years later, the galaxy’s greatest alien enemy has returned. This time, the artefacts that preserved entire worlds from destruction are ineffective. And no planet is safe.

The Human Colony worlds are in turmoil as they face extinction. Some believe alliances with other species can save them. Others insist humanity must fight alone. But no one has the firepower or technology to ensure victory, as the Architects loom ever closer.

Idris spent decades running from the last war’s horrors. Yet as an Intermediary, altered to navigate deep space, he’s one of humanity’s only weapons. He’s therefore forced back into action. With a handful of allies, Idris must find something – anything – to stop the Architects’ pitiless advance. But to do so, he must return to the nightmare of unspace, where his mind was broken and remade. What he discovers there will change everything.

'My most anticipated book of the year' - Peter F. Hamilton, Britain's no.1 science fiction writer

Children of Ruin follows Adrian Tchaikovsky's extraordinary Children of Time, winner of the Arthur C. Clarke award. It is set in the same universe, with new characters and a thrilling narrative.

It has been waiting through the ages. Now it's time . . .

Thousands of years ago, Earth’s terraforming program took to the stars. On the world they called Nod, scientists discovered alien life – but it was their mission to overwrite it with the memory of Earth. Then humanity’s great empire fell, and the program’s decisions were lost to time.

Aeons later, humanity and its new spider allies detected fragmentary radio signals between the stars. They dispatched an exploration vessel, hoping to find cousins from old Earth.

But those ancient terraformers woke something on Nod better left undisturbed.

And it’s been waiting for them.

Shortlisted for The British Science Fiction Association Awards 2020.

The astonishing sequel to Children of Time, the award-winning novel of humanity's battle for survival on a terraformed planet.

Thousands of years ago, Earth's terraforming program took to the stars. On the world they called Nod, scientists discovered alien life - but it was their mission to overwrite it with the memory of Earth. Then humanity's great empire fell, and the program's decisions were lost to time.

Aeons later, humanity and its new spider allies detected fragmentary radio signals between the stars. They dispatched an exploration vessel, hoping to find cousins from old Earth.

But those ancient terraformers woke something on Nod better left undisturbed.

And it's been waiting for them.For more from Adrian Tchaikovsky, check out:

Children of Time

From the award-winning master of sci-fi Adrian Tchaikovsky, Children of Memory is the unmissable follow-up space opera to the highly acclaimed Children of Time and Children of Ruin. They dreamed of a new home They woke to a nightmare On Imir, Captain Holt founded a new colony on an empty world. In the process, he created hope and a new future for humanity. But generations later, his descendants are struggling to survive. As harvests worsen and equipment fails, strangers appear in a town where everyone knows their neighbour. Now the inexplicable lurks in the woods and the community fears it’s being observed – that they’re not alone. They’d be right, as explorers from the stars have arrived in secret to help this lost outpost. Confident of their superior technology, and overseen by the all-knowing construct of Doctor Avrana Kern, they begin to study their long-lost cousins from Earth. Yet the planet hides deeper mysteries. It seems the visitors aren’t the only watchers. And when the starfarers discover the scale of their mistake, it will be far too late to escape. Children of Memory by Arthur C. Clarke Award-winning author Adrian Tchaikovsky is a far-reaching space opera spanning generations, species and galaxies.

Winner of the 30th anniversary Arthur C. Clarke Award for Best Novel. Adrian Tchaikovksy's critically acclaimed novel Children of Time, is the epic story of humanity's battle for survival on a terraformed planet. Who will inherit this new Earth? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age - a world terraformed and prepared for human life. But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them, pristine and unoccupied. New masters have turned it from a refuge into mankind's worst nightmare. Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth? Continue the far-reaching space opera with Children of Ruin and Children of Memory. 'Children of Time is a joy from start to finish. Entertaining, smart, surprising and unexpectedly human.' - Patrick Ness, author of A Monster Calls.

In Adrian Tchaikovsky's Elder Race, a junior anthropologist on a distant planet must help the locals he has sworn to study to save a planet from an unbeatable foe. Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way. But a demon is terrorizing the land, and now she's an adult (albeit barely) with responsibilities (she tells herself). Although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it). But Elder Nyr isn't a sorcerer, and he is forbidden to help, and his knowledge of science tells him the threat cannot possibly be a demon.

WELCOME TO HELL CITY, MARS Jimmy Martin has a sore head. He's used to smuggling illegal data in his headspace. But this is the first time it has started talking to him. The data claims to be a distinguished academic, author and civil rights activist. It also claims to be a bear. A bear named Honey. Jimmy has nothing against bioforms - he's one himself, albeit one engineered out of human stock - and works with them everyday in Hell City, building the future, staking mankind's claim to a new world: Mars. The problem is that humanity isn't the only entity with designs on the Red Planet. Out in the airless desert there is another presence. A novel intelligence, elusive, unknowable and potentially lethal. And Honey is here to make contact with it, whether Jimmy likes it or not.

Empire in Black and Gold is the first instalment in the critically-acclaimed fantasy series Shadows of the Aptby Adrian Tchaikovsky, author of the Arthur C. Clarke Award-winning Children of Time.

The days of peace are over . . .

The Lowlands’ city states have lived in peace for decades, hailed as bastions of civilization. Yet that peace is about to end. A distant empire has been conquering neighbours with highly trained soldiers and sophisticated combat techniques. And the city states are its desirable new prize.

Only the ageing Stenwold Maker – spymaster, artificer and statesman – foresees the threat, as the empires’ armies march ever closer. So it falls upon his shoulders to open the eyes of the cities’ leaders. He sees that war will sweep through their lands, destroying everything in its path.

But to warn his people, he must stay alive.

Empire in Black and Gold is followed by the second book in the Shadows of the Apt series, Dragonfly Falling.

A bio-engineered dog fights for its life and its right to life. From the Arthur C. Clark award winning author of CHILDREN OF TIME. My name is Rex. I am a good dog. Rex is also seven foot tall at the shoulder, bulletproof, bristling with heavy calibre weaponry and his voice resonates with subsonics especially designed to instil fear. With Dragon, Honey and Bees, he's part of a Multiform Assault Pack operating in the lawless anarchy of Campeche, Mexico. A genetically engineered Bioform, he's a deadly weapon in a dirty war. All he wants to be is a Good Dog. And to do that he must do exactly what Master says and Master says he's got to kill a lot of enemies. But who, exactly, are the enemies? What happens when Master is tried as a war criminal? What rights does the Geneva Convention grant weapons? Do Rex and his fellow Bioforms even have a right to exist? And what happens when Rex slips his leash?

All roads lead to Underhill, where it's always winter, and never nice. Harry Bodie has a famous grandmother, who wrote beloved children's books set in the delightful world of Underhill. Harry himself is a failing kids' TV presenter whose every attempt to advance his career ends in self-sabotage. His family history seems to be nothing but an impediment. An impediment... or worse. What if Underhill is real? What if it has been waiting decades for a promised child to visit? What if it isn't delightful at all? And what if its denizens have run out of patience and are taking matters into their own hands?